'Baroque and Renaissance comparison\r'

' guile of the spunk ages (which lasted from the 5th to the 13th century) was very ghostly in tone and content, especi eachy in Europe. prowess was overwhelmingly funded by the church building, as the catholic church was the dominating force in European governance and had a greater influence than the political state. Portraits of the bloody shame were very joint. Paintings were very often produced by members of ghostlike orders such as monasteries. It is interesting to note that just about of the art produced was in the form of paintings often through with(p) in illustrated manuscripts. The figures in paintings reduced in this season were very flavorless.The assumptions were very muted to the highest degree of the time, with the exception of using real gold switch as an accent. The figures in paintings of the date r bely had shadows and possess narrow faces with solemn expressions. There was no spatial relation in art of the kernel ages; all of the paintings were fla t and one- dimensional. Artists of the sequence made little to no hear at realism. There was a fair centre of artistic ontogeny towards the end of the earned run average. Paintings became brighter in color and tended towards to a greater extent real imagery. Perception Egan to develop, causing images to go out less flat.Paintings began to use different lighting and desegregate shadows. Art in the Medieval era evolved into much realistic imagery. (â€Å"Middle Ages Art. ” Middle Ages Art. N. P. , n. D. Web. 15 DCE. 2013. ) The evolution in art of the later midway ages culminated with the rebirth era (the 14th to 16th centuries). It refers to a heathen rebirth. The influence of the church began to wane, allowing for the political states to regain power. The locomote towards worldlyism bled into the art of this era. Art was patronized less by the church and ore by wealthy, independent investors who were usually royal house of some sort. conversion artists began to study perspective. They used figures with more than emotions. anele colour paints in brighter colors became more commonly used. Paintings bodied brighter sources of light. Thus the paintings of the conversion era became far more realistic. As it is a rebirth, the art of the renascence era was heavily influenced by classic Greek and roman print art. Classical mytho logy became a subject for many works. Artists of the era represent gods such as Mars, the Roman do of war, in ways similar to how he was portrayed by the ancient Romans.The influence of the Greeks and Romans also gave more believable proportions to gracious figures. The images of clothing looked more realistic, plentiful them the illusion of movement and fluidity. (â€Å"Characteristics Of Renaissance Art. ” Characteristics Of Renaissance Art. N. P. , 9 May 2011. Web. 15 DCE. 2013. ) Art of the era had a greater focus on naturalism. Paintings of realistic landscapes became progressively common. They wer e made realistic by an increased taste of believable space and perspective. The sense of depth became more realistic.The study of perspective allowed for spaces to look more realistic as backgrounds, which was not something that was focused on during the plaza ages. The Renaissance was the culmination of all the social, political, and spectral changes of the mediate ages. It was reflected in the religious tones of art in the middle ages. And while art of the Renaissance became more secular and broader in subject matter, there was still a great deal of religious art. Catholics of the middle ages became fire in Greek and Roman mythology, which became a common physical composition n Renaissance art.The Catholic church began to look more at Greek philosophy. The middle ages began to consider the human condition, which ended up as a common theme during the Renaissance. The middle ages were completely ruled by the church. But during the Renaissance, there was a bit of a backlash du e to sarcoid corruption. The art of the Renaissance was far less religious in tone. It explored more themes, such as philosophy, the human condition, and the mythology of the Greeks as Romans. The church commissioned nearly all of the art produced during the middle ages, which is the reason for the overwhelming theme of religion.The Madonna and many Catholic saints are portrayed in the art of that era, and it was often produced by members of the church, clergy, or monasteries. With the shift away from the church during the Renaissance, the art of the era became more secular. The greatest difference between the styles of the middle ages and the Renaissance is realism. While art of the middle ages predominantly lacked a realistic look, it became the focus of most Renaissance art. Perspective was also introduced near the beginning of the Renaissance era, lending greater depth to paintings reduced in this era.While the paintings of the middle ages looked flat with slightly dull colors , the paintings of the Renaissance era had depth and became more vibrant in color due to the increased use of oil paints. (â€Å"The Relationship between the Middle Ages and Renaissance. ” Web log post. Pious Fabrications. N. P. , 30 Cot. 2011. Web. 15 DCE. 2013. ) Madonna and pip-squeak was painted by Paolo did Giovanni Fee during the sasss. The colors are muted, but the background and the frame are riffle in gold. The figures, especially the hands of both and the feet on the baby, are unrealistic.\r\n'